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I have been engaged in art since childhood, but I truly realized its deep connection to my soul when I began working primarily with wood. The tactile sensation, resistance, and organic nature of the material created a sense of dialogue between me and something beyond myself.

My work explores the interaction between tradition, contemporary art, and fashion, reflecting the passage of time and impermanence. I am particularly influenced by the aesthetics of wabi-sabi and the dialogue between Japanese and Western art.

I am influenced by traditional Japanese woodcarving techniques, but I also incorporate abstract and modern forms, drawing inspiration from abstract painters such as Willem de Kooning and Jackson Pollock. The grain and texture of the wood often guide my creative decisions.

Initially, my work was functional and representational, but over time it evolved into more abstract and conceptual forms. Experimenting with different types of wood and surface treatments, and blending Western art and fashion with wood sculpture, has become an essential part of my creative practice.

My chisels. Each tool carries the history of my practice and defines the quality of my work.

I collect Choro-Q pullback toy cars from Japan. They evoke nostalgia for Japan’s post-war automotive industry and my childhood memories of model cars and miniatures. Each toy carries a story and a connection to the past.

I am inspired by stories of painters. Documentaries on German artists such as Anselm Kiefer and Gerhard Richter, who create in harmony with their souls, deeply resonate with my approach to sculpture.

Trust the process and embrace mistakes. The imperfections in the material and technique often lead to unexpected beauty and new creative paths.

I sometimes live-stream my work on Instagram and YouTube, using royalty-free AI-generated music. I also create and listen to my own lo-fi, chill sounds to stay focused while working.

There is nothing to be particularly careful about. The color paint is strong because it is coated with acrylic paint. If you continue to be exposed to direct sunlight for 20 years, the color of the red may fade. If you want to store it in the warehouse for a long time, you should wrap it in a cotton cloth. The tree is breathing, so do not seal it in a plastic bag. If dust accumulates, it may cause stains, so please dust it at least once every six months. Please do not touch it with your hands as much as possible.